31 Jan

Acompañantes: una antropología que piensa con otras

Encuentros RDTP (Revista de Antropología del CSIC)
9 de febrero de 18.00 – 21.00.
Intermediae (Matadero Madrid), Terrario.

Intervienen
María Isabel Jociles, Universidad Complutense de Madrid.
Sandra Fernández, Universidad Nacional de Educación a Distancia.
Alberto Corsín Jiménez, Consejo Superior de Investigaciones Científicas.

Modera: Adolfo Estalella (CSIC).

Con la participación de los editores de RDTP, Pedro Tomé y Paco Ferrándiz (CSIC).

Imagen 1
El arte, la arquitectura y las ciencias sociales han visto en tiempos recientes en la colaboración una figura para renovar sus modos de hacer. La antropología no es diferente y desde la década de los ochenta ha enarbolado a menudo esta forma de relacionalidad como imperativo moral o vector político en su ejercicio de producción de conocimiento. La colaboración pareciera dotar de una legitimidad añadida a lo que en otras circunstancias constituye la práctica individualista del artista o la investigación solitaria de la investigadora social.

Propuestas como la antropología pública, implicada o activista señalan a la colaboración como fuente para la reforma disciplinar y la entienden de forma diferente. Las invocaciones a la co-autoría de la escritura argumentan que los textos elaborados con nuestras contrapartes permiten formas de representación dialógica, polifónicas y más ricas. En otras ocasiones es el trabajo de campo el lugar donde la colaboración permite el establecimiento de relaciones simétricas, la implicación con comunidades marginadas o con colectivos activos políticamente.

Queremos ensayar un registro diferente al moral, político o metodológico, para pensar en los ejercicios colaborativas, esos particulares modos de hacer antropología en los cuales uno (o una) se acompaña de otras. Queremos explorar la posibilidad de pensar en el acompañamiento como una figura epistémica, una forma de articular el oficio antropológico que se funda en el diseño de condiciones que permiten a los otros personarse en calidad de agentes teóricos y no simples informantes, contrapartes que ya no proporcionan únicamente datos empíricos sino que toman parte en la construcción conjunta de problematizaciones antropológicas.

Las problematizaciones son esas instancias que desestabilizan lo establecido, muestran una grieta en las verdades que se dan por sentado y nos ofrecen la posibilidad de imaginar y componer otros mundos. El conversatorio que proponemos explora el ensamblaje cuidadosos de sitios que nos permiten desmantelar conjuntamente las verdades que se dan por sentado. Nos interesa entonces pensar en el acompañamiento como un ejercicio de acondicionamiento de los requisitos espaciales, materiales y afectivos que permiten la construcción conjunta de problematizaciones cuando nos acompañamos de otras (personas y disciplinas).

La sesión continúa el debate abierto desde las páginas de RDTP con el tema emergente ‘Colaboraciones experimentales: una modalidad etnográfica’, editado por Tomás Sánchez Criado y Adolfo Estalella. Puede accederse al volumen de la revista aquí: http://rdtp.revistas.csic.es/index.php/rdtp/issue/view/42/showToc

RDTP – Revista de Antropología del CSIC: http://rdtp.revistas.csic.es
Intermediae. https://goo.gl/PkmNHN

Imagen: Young people playing in the sea, 1933. Fuente: Wikimedia Commons, imagen en dominio público. https://goo.gl/Q4zzqw

16 Jan

Etnografías de lo digital: remediación y recursividad del método antropológico

Seminario del Grupo de investigación en Antropología pública.
Universidad Autónoma de Madrid.
Viernes 20 de enero de 2017, 12.00-14.00.
Sala de Juntas del Modulo VII de la Facultad de Filosofía.

Internet y las tecnologías digitales se han convertido para la antropología en un locus legitimado para el estudio de la contemporaneidad. Los trabajos de inspiración etnográfica que durante la década de los noventa nos ofrecieron descripciones de comunidades exóticas han dado paso a etnografías que exploran temas antropológicos fundamentales desde la esfera pública a la libertad, pasando por la modernidad o el juego. Al mismo tiempo, el estudio de lo digital es planteado recurrentemente como un desafío para la etnografía, un encuentro agónico en el que antropólogos y antropólogas parecen obligados a repensar sus formas de presencia, relación y registro en su trabajo de campo.

Lo digital se nos presenta entonces con una doble faz: una forma de alteridad distintiva que nos habla de nuestra contemporaneidad pero que provoca una suerte de extrañeza frente a nuestras prácticas de campo. Lo digital pareciera obligar a alterar la etnografía. En este seminario exploro la relación entre esas dos formas de alteridad: la de los mundos digitales investigados y la del método que parece ser alterados en su encuentro con ellos.

El seminario estará organizado en tres partes, una primera en la que describo distintas formas de construir ese objeto de estudio antropológico desde la década de los noventa, una segunda donde abordo cuestiones prácticas para realizar etnografías de culturas vernáculas de lo digital y una tercera parte en la que planteo algunas preguntas que el estudio de estos dominios nos devuelve sobre nuestra propia práctica antropológica.

El seminario plantea un argumento de fondo sobre el encuentro entre la etnografía y lo digital: el estudio de estos dominios nos invita a un desplazamiento de la antropología hacia la recursividad metodológica. Un ejercicio por el cual nuestro método etnográfico toma inspiración para su reinvención de aquellos lugares donde se despliega. El campo ya no es únicamente el espacio para el descubrimiento conceptual sino el sitio para la renovación metodológica de la etnografía.

file-page1

19 Sep

Presenting the xcol book intro at ‘The New Experimentalisms’ workshop

A one day workshop at CISP/Department of Sociology, Goldsmiths, University of London

Tuesday September 20th 2016, 10-5pm

Room RHB 137a

Organized by Michael Guggenheim, Dan Neyland, Alex Wilkie

 

Recent Science and Technology Studies (STS) work on experiments has provided a basis for rethinking the terms, practices and consequences of experimentation. This has opened up opportunities to question, for example, experimental controls, provocative containments, training and professional practice. This work has also broadened the traditional STS focus on scientific laboratories to also include economic, social scientific and commercial experimentation, exploring new territories of experimentation and their attendant means of reproducing the world.

At the same time, scholars in STS, Sociology, Anthropology and Design have pursued experiments not just as an object of study, but also as something to do. Here we find, for example, experiments with algorithmic walks, expertise and issues. An earlier critique of experiments as artificial and interventionist has given way to a new embracing of material staging of situations and problems.

Social researchers have come to acknowledge we can learn precisely because of the non-naturalism of experiments. Experiments have become legitimate forms to intervene in the world, and to invent new worlds.  In this way STS scholars have begun to think again about the realities in which they participate. In this workshop we will feature recent experimenters within STS with scholars who have analysed experiments in specific fields.

 

Programme:

10.00: Welcome

10.15-11.30: Pelle Ehn (Design, Malmö):

democratic design experiments (in the small)

Commentator: Kim Kullmann (Sociology, Goldmsiths) 

11.45-1pm: Tomás Sánchez Criado (STS, Munich):

The Ethnographic Experiment, Revisited: Experimental Collaborations, or the ‘Devicing’ of Fieldwork for Joint Problem-Making

Commentator: Isaac Marrero-Guillamón (Anthropology, Goldsmiths)

1pm – 2pm: lunch

2pm-3.15pm: Claire Waterton (Sociology, Lancaster):

An Experimental Collective: Working Through Modalities and the Enrichment of Land and Water

Commentator: Jennifer Gabrys (Sociology, Goldsmiths) 

3.30pm-4.45pm: Tobias Bornakke Jørgensen (Sociology, Copenhagen):

Sensing Data: The Emergence of Sensor-Based Experiments in the Social Sciences

Commentator: Noortje Marres (Interdisciplinary Methodologies, Warwick).

14 May

Tinkering with documentation: Open design and ‘experimental collaborations’ in fieldwork

Tinkering

Picture CC BY NC ND En torno a la silla

Draft paper presented by @tscriado & @adolfoestalella at the #SCA2016 Society for Cultural Anthropology (SCA)’s Spring Conference at Cornell University (Ithaca, NY). Fragments of it will be part of the xcol book’s introduction

PDF downloadable here

I. Urban para-sites

In this paper we would like to explore an ethnographic mode that takes the shape of experimentation in the field. We will draw on the ethnographies (Adolfo’s & Tomás’s) we have been carrying out in the last five years in urban contexts populated by urban activists, guerrilla architects, amateur tinkerers, and disability rights advocates located in Barcelona and Madrid. These projects account for the wave of urban creativity and civic invention that has spread out through these cities after the uprising of the ‘15M movement’ (the Spanish precursor of the Occupy movement).

Our ethnographic sites are populated by people struggling to transform the city: they do so building infrastructures, producing a vast amount of documentation that describes their own practices and exploring methodologies for the production of knowledge. Very often, these collectives invoke the trope of experimentation to refer to their relationship to the city. In a way, the locations we are describing might be aptly characterised as ‘para-sites’, following Douglas Holmes and George Marcus (2008) description of ethnographic sites populated by people whose research practices resonate with those of the anthropologists.

Even though ours has been a deep involvement in these sites, activist or militant registers and vocabularies would not be the best description of our practice. For lack of a better term, our engagement has been of an ‘epistemic’ kind. Indeed, during our fieldwork we both became gradually involved in the production of shared spaces of investigation, in the construction of material and digital infrastructures, and in the process of documentation, sometimes even taking a leading role, as we will describe here. We would like to suggest that our ethnographic projects were dragged into the experimental ethos of these projects.

Our ethnographies have been infused by these forms of experimentation: Somehow, our fieldworks seem to have incorporated in a recursive gesture the epistemic experimental practices of our counterparts in the field, as we seek to describe today. Thus, drawing on Tomás fieldwork we describe the distinctive practice of tinkering of an activist design collective called En torno a la silla. Working among tinkerers that extremely value the production of documentation, Tomás fieldwork turned into a tentative practice of tinkering with documentation. Describing his fieldwork in these terms (as a form of fieldwork tinkering), our attempt here is to provide a tentative descriptive vocabulary to account for this ethnographic mode we call ‘experimental collaborations’.

II. Tinkering in/with fieldwork

Barcelona, it’s the morning of February 8th 2013. We’re in the bedroom of Antonio’s house. I (Tomás) am struggling to adjust a semi-professional Canon EOS 60D camera that a good friend has lent me to shoot a video. The plan according to the rather informal script we have discussed is to re-enact for the record how the armrest-briefcase we have designed in the last months for Antonio’s wheelchair works. I take some shots of Alida disassembling the former armrest and assembling the new gadget to Antonio’s wheelchair. Later on we start improvising and moving around to demonstrate different uses of the briefcase. Since I am not a professional I struggle with the light settings in the inner parts of the house. The next month is really busy for us and I slowly learn to edit these video materials using an amateur software package.

After I have it, two months after shooting the video we three meet at Antonio’s house to discuss it using his big TV screen and my laptop. They like it and have nothing to comment, even though I spot and make them pay attention to some of the mistakes I’ve made with the light settings and the shots, to understand whether we should be recording it again. After some talk we decide that we cannot get stuck, that it’s good enough and we have to move on since this is only a very small thing of the many other projects that En torno a la silla is working on.

However, given that the video only shows the processes of disassembling, reassembling and use, Alida also wants to work to produce some exhaustive hand-drawn sketches to create a downloadable text and image tutorial showing the technical detail: how to build it and why, what were the main technical challenges in the conception and production, as well as showing detail on important pieces, such as the joystick-briefcase junction. We will work on that in the following weeks. That day the discussion leads us to upload the video to YouTube, later embedding it in a blog post, also adding a couple of high quality pictures, and collaboratively write on the spot the explanatory paragraph telling what the gadget is.

En torno a la silla was originally put together in the summer of 2012 in Barcelona by Alida – architect with a large experience in activist collectives in the city–; Antonio – mathematician, powered wheelchair user and one of the most renowned independent-living activists in the country–; and Rai – an anthropologist graduate who works as a wood craftsman and who also has a large experience in activist collectives in the city–. En torno a la silla was set up as a project seeking to prototype an open-source wheelchair kit to ‘habilitate other possibilities to the user.’ The kit consisted of three elements: a portable wheelchair ramp, a foldable table, and the armrest-briefcase described in the vignette.

The group started to work on the fabrication of these technologies in October 2012. We came to use the Spanish term cacharrear –to tinker– to talk about what we were doing. None of us were expert designers of technical aids, and neither of us were trained craftspeople in the many skills that the gadgets we have started learning to fabricate required. What we called tinkering was always characterised by playful learning processes, a rather mundane exploratory practice of searching for inspiration from tutorials, sketching and fabricating, sometimes searching for help from specialists in a given craft.

But I would like to explore a different nuance of the term tinkering, grounding on STS literature, where scholars like Karin Knorr-Cetina (1981) or Hans-Jörg Rheinberger (1997) have qualified the technoscientific practices of reasoning and laboratory experimentation as particular forms of tinkering. Tinkering is also an apt metaphor to foreground not only experimentation as an ‘opportunistic’ and open-ended reasoning practice, but also the important role of tweaking and setting material and spatial infrastructures in knowledge production: An arrangement that, if successful, might allow experimenters to pose new questions that they did not have in advance.

En torno a la silla also wanted to engage in another particular form of tinkering: from the onset they were worried about producing an open documentation of the process wishing to make it public so that their prototypes might be replicated by or serve as inspiration to others. When I approached the project for the first time in search for a case study for my postdoctoral project on participatory design in care technologies they were sharp in relation to my role: “You can’t be an observer here”, an imperative aligned with the motto of independent-living movement whose philosophy pervades En torno a la silla: “Nothing about us without us.” So when I started hanging around with them I was quickly dragged into their exploratory material and documentary practices of fabrication in a way that I would like to suggest infused my ethnographic practice with an experimental gesture.

III. Tinkering with documentation

Hence, I joined the project taking the responsibility of the documentation process shortly after it had began. This happened given that the ethnographic skills and interests that I had been displaying in our first encounters were thought to be useful for the project. But this also entailed a considerable effort, since I had to test and try a whole set of technologies to take care of documenting the design and fabrication processes. The regular notepad gave way to the use of Evernote software on my smartphone since I needed to take pictures and make quick notes. In other occasions I jotted down exhaustive minutes including verbatim quotes using my email that I would send others, and I later learnt to use WordPress blogs and many plugin services to manage the different aspects of the project’s documentation.

Indeed, I had to fabricate a shared environment to document and circulate the fabrication process. Testing digital platforms, discussing the records in joint meetings, collecting material from different sources and combining the appropriate media format for the records, I experimented with the documentation in a similar way to how the project struggled to fabricate an environment for the wheelchair. My fieldwork recursively became a tinkering ethnographic space. Tinkering ‘around the wheelchair’ indeed involved a twofold dimension: both material and documentary; that is, we had to explore the open source design of gadgets while testing the appropriate techniques and record genres to open up their process of fabrication.

At some moments in meetings where I was in charge of taking the minutes the distinction between design documentation and field notes blurred: taking the minutes of meetings later forwarded by email to the group I sometimes turned them into ethnographic notes of sorts, using verbatim quotes as well as remarks on personal impressions of emotional climates or situations. In other occasions it was the other way around: my very personal field notes were turned into the documentation of the process of fabrication, being scanned or shared for the common record after the fact. Often this double-register made very difficult to keep my record practices untouched. The distinctive written genre of my field notes seemed to blur with documentation, but my ethnographic practice blurred too. This went beyond a mere experimentation with literary styles.

IV. Experimental collaborations

Tomás’s collaboration tinkering with documentation unearthed an experimental moment in fieldwork. Tinkering with documentation took Tomás into a close relationship of collaboration with his tinkering counterparts through an open process of documentation and reflections. A collaboration that was neither a militant nor an ethical gesture, but an effect of the shared space of joint tinkering practices, both material and documentary.

My ethnographic experience (Adolfo’s) in the field has been similar to Tomás’s. I would say that during my work with urban activists and guerrilla architects I was also trapped by the experimental ethos of my counterparts. In a way close to Tomás’s experience, I felt that I was transgressing the norm and form of the ethnographic fieldwork I had learned and I felt the need of an appropriate conceptual vocabulary to account for my fieldwork practice.

Our joint discussions sharing the oddity of our experiences led us to work on an edited compilation focusing on similar experiences, where we refer to this particular ethnographic mode as a form of ‘experimental collaboration’, one whose relationality in the field is articulated (and described) in terms of collaboration (and not only participation); and in which the epistemic figure describing knowledge-production invokes experimentation (instead of only observation). But our invocation of experimentation is not new to anthropology.

Our invocation of experimentation is not completely new to anthropology. The reflexive turn of the eighties inaugurated a wave of writing experiments that addressed a deep reconsideration of authority and authorship, and explored different representational forms and textual genres or expanded authorship beyond the single ethnographer to include fieldwork counterparts. In recent times, an experimental invocation has been increasingly translated from the space of ethnographic representation to the fieldwork. Experimentation, hence, is invoked as a way to renew the norm and form of ethnographic fieldwork.

Our description does not invoke experimentation metaphorically. On the contrary, our fieldwork account foregrounding tinkering with documentation seeks to explore a vocabulary that is faithful to the empirical practices that we have found in the field and have infused our own production of knowledge. We have thus explored a descriptive vocabulary around tinkering but many more singular conceptual empirical languages could be developed to account for other anthropological forms of experimental collaboration in the field.

We are tempted to say that experimentation has always been an art part of the ethnographic repertoire in fieldwork, an epistemic practice that however has not been foregrounded in the tales of the field that have narrated our empirical practice in terms of participant observation and sometimes using the register of rapport or the instrumental management of relations in the field ‘participating in order to write’ (Emerson et al., 1995: 26-29). We have tried in this account to test a different tale of the field, one that describes our fieldwork through the mode of experimental collaboration.

References

Emerson, R. M., Fretz, R. I., & Shaw, L. L. (1995). Writing Ethnographic Fieldnotes. Chicago: Chicago University Press.

Holmes, D. R., & Marcus, G. E. (2008). Collaboration Today and the Re-Imagination of the Classic Scene of Fieldwork Encounter. Collaborative Anthropologies, 1(1), 81–101.

Knorr-Cetina, K. D. (1981). The manufacture of knowledge: An essay on the constructivist and contextual nature of science. Oxford: Pergamon.

Rheinberger, H.-J. (1997). Toward a History of Epistemic Things: Synthesizing Proteins in the Test Tube. Stanford, CA: Stanford University Press.

 

16 Dec

Wild research: Radical openings in technoscientific practice? – 2016 EASST/4S open track

FMARS_Crew_7_MISR_2002-07-19

The Mars Society CC-BY-SA-3.0

Please consider submitting a paper for the 4S-EASST 2016 conference taking place from August 31st to September 3rd in Barcelona to our open track!

We’d be very grateful if you could also forward it to potentially interested colleagues. 

Wild research: Radical openings in technoscientific practice?

A collaborative spectre is haunting science and technology. In the past decades we have witnessed an explosion of radical openings of research practices where increasingly technified citizens and engaged professionals collaborate in the most diverse forms of knowledge production in both online and offline platforms of all kinds. In these efforts they generate and put into circulation documentation on the most diverse range of issues, attempting to materially intervene their everyday worlds with different political aims. Practices that, for lack of a better term, might be described as ‘wild research’ not only signal collaborative redistributions of the who, how, when and where of knowledge production, circulation and validation, but also more experiential and sociologically-related expansions of the knowledge registers and material interventions there emerging: a whole constellation of practices forging different versions of ‘science and technology by other means’. Paying attention to these transformations this track would like to welcome ethnographic and historical works analyzing in depth open, collaborative and experimental ‘wild research’ projects helping to expand what STS up to date has considered more collaborative or more democratic forms of technoscientific production: participatory engagements of lay people into expert-driven processes such as in citizen science or articulations of counter-expertise and evidence-based activism to engage in conversations with experts. We are particularly interested in analyzing not only the different forms of knowledge and the political, but also the forms of STS otherwise that these radical collaborative openings in technoscientific practice might be bringing to the fore.

Convenors: Tomas S. Criado (MCTS, TU München) & Adolfo Estalella (Spanish National Research Council – CSIC)

For more information on how to propose a paper, please check the conference’s call for papers

To submit a paper to this open track, please click here

31 Aug

#xcol book workshop (Madrid, Sept 11th 2015)

xcol sept

‘Experimental collaborations: Ethnography through fieldwork devices’ book workshop

September 11th 2015 @Intermediae‘s Terrario (Matadero Madrid)
Part II of Experimental collaborations workshop’, a two day international workshop organized by the Spanish National Research Council (CSIC) and Intermediae.

PROGRAMME

9:30-10:00 Welcome

10:00-10:45 Introduction. Experimental collaborations: Ethnography beyond participant observation, Adolfo Estalella (CSIC) & Tomás Sánchez Criado (Munich Center for Technology in Society, TUM). [Commented by: Ann Kelly* Isaac Marrero]

10:45-13:30 I. Para-siting ethnography

Experimenting with data: ‘Collaboration’ as method and practice in a multi-disciplinary public health project, Emma Garnett (London School of Hygiene and Tropical Medicine). [Commented by: Almudena Marí Sáez* / Galina Orlova, Aleksandra Kasatkina et al.]

11:30-12:00 Break

Experimental collaboration in state organisations: The ‘research traineeship’, Maria Schiller (Max Planck Institute). [Commented by: Andrea Gaspar]

Finding one’s rhythm: A mobile ethnography on the road with a touring band, Anna Lisa Ramella (Universität Bremen). [Commented by: Isaac Marrero]

13:30-14:30 Lunch break

14:15-17:45 II. ‘Devicing’ fieldwork

Taking ethnography & design collaborations for a walk: Devicing idiocy, Andrea Gaspar (Centre for Social Studies, University of Coimbra). [Commented by: Tomasz Rakowski]

Co-authorisation, but not co-authorship: What happens when we publish field interviews on-line?, Galina Orlova, Alexandra Kasatkina, Roman Khandozhko & Zinaida Vasilyeva (Russian Academy of National Economy and Public Administration). [Commented by: Karen Waltorp*Adolfo Estalella]

15:45-16:15 Break

Ethnography and Art Experiments: A challenge to move towards the collaborative in Rural Poland, Tomasz Rakowski (University of Warsaw). [Commented by: Anna Lisa Ramella]

From participant observation to public interventions: An ethnographic derailment in Hackney Wick, London, Isaac Marrero Guillamón (Goldsmiths’, University of London). [Commented by: Emma Garnett]

17:45-18:15 Break

18:15-18:45 Non-present authors

Interfacing, collaboration and contestation in the Moral Lab 2.0, Karen Waltorp (Aarhus University)*[Commented by: Maria Schiller / Galina Orlova, Aleksandra Kasatkina et al.]

18:45-19:30 General comments and final discussion

This workshop is part of the editing process of a forthcoming book under the title ‘Experimental collaboration: Ethnography through fieldwork devices’, to be published by Berghahn’s EASA Book series.

Participants in the workshop will discuss the draft chapters for the book, for those interested in getting a copy send an email to jestalellaf AT uoc.edu (Adolfo Estalella) or tomas.criado AT tum.de (Tomás Sánchez Criado).

Experimental collaborations. International workshop PROGRAMME (PDF).

31 Aug

#xcol – Arte y antropología: intercambios, contrabandos e inspiraciones cruzadas

xcol sept

Arte y antropología: intercambios, contrabandos e inspiraciones cruzadas

September 10th 2015 @Intermediae‘s Terrario (Matadero Madrid)
Part II of Experimental collaborations workshop’, a two day international workshop organized by the Spanish National Research Council (CSIC) and Intermediae.)

Selina Blasco (UCM), Olga Fernández (UCM), Aida Sánchez de Serdio (MNCARS) y Roger Sansi-Roca (Goldsmiths).

Moderada por Isaac Marrero Guillamón (Goldsmiths).

La antropología y el arte tienen una larga historia de intercambios, contrabandos e inspiraciones cruzadas. No son pocos los y las artistas que han encontrado inspiración en la crítica al etnocentrismo inherente a la antropología, o en la etnografía como estrategia de investigación relacional. Asimismo, es bien conocida la influencia que las vanguardias artísticas han tenido en la experimentación formal en la escritura etnográfica, o la estrecha relación entre ciertas formas de antropología visual/sensorial y de arte visual.

La relación entre arte y antropología ha sido ella misma objeto de conceptualización, dando lugar a argumentos en torno a la “apropiación” (más o menos indebida), la “envidia mutua” (Foster), o la existencia de una “afinidad profunda” (Schneider).

Reconociendo esta trayectoria, pero también queriendo distanciarnos de la voluntad de tipologizar la relación, esta sesión busca situar el debate a partir de la discusión de prácticas de investigación y de producción de conocimientos en/tre el arte y la antropología. Más concretamente, nos interesa explorar las diferentes formas de trabajo colaborativo que se han venido desarrollando en/tre ambas disciplinas, y cómo estas pueden pensarse como dispositivos epistémicos experimentales. En otras palabras, buscamos reflexionar sobre cómo estas colaboraciones experimentales (y/o experimentaciones colaborativas) transforman los modos de investigar y la definición de lo que cuenta como conocimiento (válido).

La estética relacional, el arte participativo, la etnografía colaborativa o la co-investigación serían algunos ejemplos de prácticas que deslocalizan y re-localizan la relación entre autoría, públicos y conocimiento, y que por tanto ofrecen un espacio fértil de reflexión. Queremos pensar sobre cómo los sujetos y los objetos de la investigación antropológica y la práctica artística han experimentado procesos reflexivos, recursivos, de desmaterialización y re-materialización. Nos interesan las hibridaciones poco ortodoxas, las articulaciones inusuales, las fertilizaciones cruzadas en/tre arte y antropología. Texto de Isaac Marrero Guillamón.

Experimental collaborations. International workshop PROGRAMME (PDF).

Madrid!
Con la colaboración y financiación de Intermediae – Matadero Madrid.
31 Aug

#xcol – Anthropological engagements with art, activism and technoscience, a two day international workshop

xcol sept

Experimental collaborations. Anthropological engagements with art, activism and technoscience

A two day international workshop organized by the Spanish National Research Council (CSIC) and Intermediae.

10 y 11 de septiembre de 2015, El Terrario de Intermediae (Matadero Madrid)

 

Jueves 10 de septiembre 16.00 – 20.00 (español)
Arte y antropología: intercambios, contrabandos e inspiraciones cruzadas

Selina Blasco (UCM), Olga Fernández (UCM), Isaac Marrero Guillamón (Goldsmiths), Aida Sánchez de Serdio (MNCARS) y Roger Sansi-Roca (Goldsmiths).

La antropología y el arte tienen una larga historia de intercambios, contrabandos e inspiraciones cruzadas. No son pocos los y las artistas que han encontrado inspiración en la crítica al etnocentrismo inherente a la antropología, o en la etnografía como estrategia de investigación relacional. Asimismo, es bien conocida la influencia que las vanguardias artísticas han tenido en la experimentación formal en la escritura etnográfica, o la estrecha relación entre ciertas formas de antropología visual/sensorial y de arte visual.La relación entre arte y antropología ha sido ella misma objeto de conceptualización, dando lugar a argumentos en torno a la “apropiación” (más o menos indebida), la “envidia mutua” (Foster), o la existencia de una “afinidad profunda” (Schneider).

Reconociendo esta trayectoria, pero también queriendo distanciarnos de la voluntad de tipologizar la relación, esta sesión busca situar el debate a partir de la discusión de prácticas de investigación y de producción de conocimientos en/tre el arte y la antropología. Más concretamente, nos interesa explorar las diferentes formas de trabajo colaborativo que se han venido desarrollando en/tre ambas disciplinas, y cómo estas pueden pensarse como dispositivos epistémicos experimentales. En otras palabras, buscamos reflexionar sobre cómo estas colaboraciones experimentales (y/o experimentaciones colaborativas) transforman los modos de investigar y la definición de lo que cuenta como conocimiento (válido). Esta sesión busca situar el debate a partir de la discusión de prácticas de investigación y de producción de conocimentos en/tre el arte y la antropología. Texto de Isaac Marrero Guillamón.

Viernes 11 de septiembre 10.00 – 20.00 (inglés)
Experimental collaborations: Ethnography through fieldwork devices

Adolfo Estalella (CSIC), Emma Garnett (London School of Hygiene and Tropical Medicine), Andrea Gaspar (University of Coimbra), Alexandra Kasatkina, (Russian Academy of National Economy and Public Administration), Isaac Marrero Guillamón (Goldsmiths’, University of London), Tomasz Rakowski (University of Warsaw), Anna Lisa Ramella (Universität Bremen), Tomás Sánchez Criado (Munich Center for Technology in Society, TUM), Maria Schiller (Max Planck Institute), Zinaida Vasilyeva (Russian Academy of National Economy and .

This workshop gathers for discussion a set of anthropological fieldworks that in their engagement with art, science and activism push forward the methodological limits of participant observation in ethnography.

Anthropology has historically consolidated its ethnographic practice of knowledge production around the figure of participant observation, a social and epistemic situation that requires social involvement during fieldwork while at the same time demand a detachment and distance to observe the social worlds under investigation.

Drawing on a set of ethnographies carried on in Africa, America and Europe, the workshop explores modes of doing fieldwork whose form of engagement in the field overflow the notion of participation and whose form of knowledge production cannot be properly characterized as observation. The anthropologists describe their ethnographic fieldworks as forms of ‘experimental collaboration’.

The figure of experimental collaboration intends to describe a mode of fieldwork that is carried on in collaboration with our counterparts in the field through the articulation of instances of epistemic experimentation. It is a mode of doing ethnography that is adjacent, complementary or even substitutive of participant observation.

The figure has a twofold goal. It intends to be a descriptive notion for certain forms of ethnographic fieldwork and it proposes a research and pedagogic program aimed to intervene in current forms of ethnographic practice and learning.

Experimental collaborations. International workshop PROGRAMME (PDF).

Madrid!
Con la colaboración y financiación de Intermediae – Matadero Madrid.
17 Jul

Dispositivos de campo: re-imaginaciones para la etnografía

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¿Cómo sería el gesto curatorial que se ocupa de cuidar investigaciones al límite? Ese era uno de los puntos de partida del encuentro y taller que realizamos en Intermediae (Matadero Madrid) el 6 de julio (aquí el programa completo). Acuñamos esa imagen de las investigaciones al límite a partir de nuestras discusiones sobre las colaboraciones experimentales; una figura que trata de describir ciertas formas de hacer etnografía. Tenemos la intuición de que las colaboraciones experimentales son un modo etnográfico que pulsa algunas convenciones del método y que nos instala en un terreno de incertidumbre en nuestros modos de relacionalidad en el campo empírico y en nuestras prácticas epistémicas.

Asumamos entonces que nos encontramos con investigaciones que pulsan límites: de las disciplinas, de los métodos, de la academia, de la autoría…; investigaciones que en su ejercicio de frontera generan una considerable ansiedad e incertidumbre porque ‘desbordan’ los marcos canónicos y nos fuerzan a hacernos cargo de excesos: de relacionalidad, de apertura, de heterodoxia… Ante esa circunstancia, el punto de partida que queríamos explorar era sencillo: ¿cómo podemos generar las condiciones que permiten sostener esas investigaciones sin negar su exceso? La invocación de la figura curatorial nos servía para reconocer inspiraciones de las prácticas artísticas y explorar un diálogo que consideramos productivo entre antropología y arte. La utilización del neologismo pretende además explicitar el doble gesto que invoca la figura de la curadoría: el comisariado acompañado de cuidados.

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